Essentially, there are two key ways of manipulating your festering minions. The game breaks you in gently, with the first chapter effectively playing out like a tutorial that gradually introduces the mechanics. There are 40 discrete levels divided into four chapters. Other scenarios involve surviving multiple waves of heavily-armed assailants, assassinating well-protected characters, chase sequences, and even tricky boss fights. Sometimes it will be a simple case of infecting all the humans or reaching a designated exit. The action follows a loose but entertainingly wacky narrative that revolves around a dodgy street drug known as Romero, the mad scientist who cooked it up, and those attempting to thwart your plans for world domination. Although, unlike our furry green-haired friends, these ravenous little blighters also devour any delicious brrrrrrraaaaaiiiiiinnnnsss stupid enough to get in their way, which conveniently helps to swell your ranks.īut Zombie Night Terror involves far more than just getting your boys home. Without intervention, they’ll cheerfully march in the same direction until they either perish or are forced to turn back around. Like Lemmings, control of your living dead is largely indirect. The intention may be more nefarious, but the core principles remain the same. Instead of guiding a group of gormless but indefatigable rodents through a 2D landscape, you’re in charge of an army of endlessly shuffling zeds. Let’s face it, a spiritual successor to the classic Amiga puzzle-platformer has been long overdue.Īnd it does feel like a natural evolution of the concept. It does this by not only having you actually masterminding the zombie apocalypse but also by reanimating the long-dead corpse of Lemmings. Thankfully, Zombie Night Terror actually offers a somewhat fresher take on the subject. And no place is this truer than in the world of video games, where we’ve been overrun with a plethora of lazy and uninspired zombie-related fodder. While I initially appreciated the undead renaissance of recent years, it is starting to feel more than a little done to death as a genre. Personally, I’m becoming increasingly ambivalent. Zombies, love ‘em or loathe ‘em, there’s no denying they’re everywhere these days.
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